Chord TX Mode gemerate or other solutions

Hot off the press and after a little bit of testing.

That it Works

Here’s the basic idea:

kleini0

  • Here’s the output of the unique identifier section
    I’ve added in the original chord (remapped to Ch16) just to compare

  • so C4-Eb/D#-G gives the “identifier message” Ch1 C#0
    (the velocity is preserved, the Note Off matches but is hidden from display to avoid clutter)

  • C#4-E-G# → Ch2 C1

  • D4-F-A → Ch3 B1 and so on down the display


Here’s the C4-Eb-G “identifier note” being transformed into your C4:

kleini3
NB The Transform is set to

  • Only work with Ch1 and

  • with the Note C#0
    ie. the “identifier message” for this chord

  • the Transform creates C4 on ch15

Similarly:

2nd desired note Transform

kleini4

kleini2

the triad C4-Eb-G → (identifier message) Ch1 B0 → desired note C4

Why Ch15? This is just a safety trick so that all outgoing notes are on Ch15, an unused channel.
The Channel Remap ensures only these notes are mapped to the desired sampler channel.

next: How it works

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