I have some project in ableton live and arp from midihub to external synth.
Its simply patch and its work, but i have troubles with playing arp.
Arp starts to play different every start. When i press a key on midi kb, i hear that quantize work, but i want, that clock start to work every pressing a key and stopped, when a key off.
Maybe will be good to do quantize not 4/4 but 4/8 - 4/16?
this makes it easier to figure out there are 24 Clocks to the beat.
but Clock doesn’t have any other data, it’s a bit like a real clock going “tick, tick, tick…”;
Midihub can’t see the clock hands (it doesn’t even get “tick, tock, tick…”!)
So that’s all Arp has to go on:
it will do notes at (say) 1/8 intervals (with the odd ones swung if you want)…
…but only from the next Clock after you do NoteOn
It simply doesn’t have the information to anything more.
Let me know if I’ve misunderstood your question
†(until it’s paused/restarted then it will probably send Song Position Pointer but that’s another story and of no use to us here)
I mean I want the clock to start with a note on and stop with a note of
I have a midi track inside ableton. The midihub clock doesn’t know when the message from Ableton will start transmitting, and I need to catch the position when the ARP will sync with the midihub clock
If the clock started every time a note started, the arp would play exactly always i think
You just need to map a note to the “started” argument. If your midi buttons/key can be toggled then no more is needed.
If not, you’ll have to create your own on/off toggle.
If you can spare 2 midi buttons/keys you can map both to the started argument, one using value 64-100(on) and the second using value 0-63(off).
If you can’t set these values in your controller you can alternatively use a pipeline to rescale your input to the desired values before it hits the virtual pipe that is designated as the target port for mapping.
If you want to use a knob, you’ll could to use a rescale pipe to turn values 0-127 into 63-64.
If you want to use 1 key only as a toggle for your mapping it gets a bit trickier. I had a patch that did this but I don’t use that technique much. I’ll see if I can dig it up. Maybe Resonator has or can point you to an existing toggle patch for mapped arguments.
a Note_on → CC Replace Transform (fixed CC, fixed value) for each key you want to toggle (values are set to 0|127~ see below)
a (CC) Rescale [0;127] → [127;0] to do the flipping (so set value above to the opposite of what you want your initial value to be)
and a couple of “bookend” Filters to make sure that only Note_on’s get in and CCs get out (this way you can keep adding new “toggles” as your preset develops – any unTransformed note_ons just get stopping from leaving)
end the line with a Virtual out, say H, which will “collect” all the virtual mapping toggle events for use in other “message” pipelines
(The beauty is, you don’t even need Virtual H-IN in your preset for the mappings to work )
and finally the “coup de grace”– for each of the mapping Transform, map the “value” Arg to ‘itself’
(so if your Transform is Ch16 CC77 and the Value is set to Arg2 then Add a mapping to Arg2 {Virtual H, CC, 16, 77}…
… and so on for each toggle you create)
When 1.14.0 graduates beyond Beta, this will be in a short series of “Virtual Mapping Techniques”
(In meantime, I’ll post a shot/patch tomorrow if you haven’t sussed it already)
thank you very much, both of you. I don’t think I am ready to implement this until your tutorials come out, but I will think about it.
is there a place I can look up the definition for example, of the word argument as used with MH….
i’m on that level. although, with R.‘s help, I have a Loopback that I use gigs now
“Arguments” are each of the individual settings that you can adjust in any pipe. But in the transform pipe there are arguments literally labeled argument 1, argument 2.
Here’s the patch to stop and start the clock with note-on’s. This is for every note-on message received. Whichever specific note you want to trigger the clock, specify that note in the work with note number range. Clock Start Note Toggle.mhp (396 Bytes)
May not be necessary, but it’s always interesting!
If you do, Pavel, would you also make clear what sound is coming from where? Thx
PS. I won’t get time to look at patch until Weds
and
PS2. If we’re using Start to get Live and MH in sync as you & Joey suggest, do we know how Live responds (with some sequencers I think Start is ignored if it’s running)?
I do not send start message from ableton at all. Ableton in this case is only a sequencer that transmits a note, not a sync message
When I talk about synchronization, I’m guessing that if the ableton is worth 120 bpm and the MH is 120bpm, the arp and ableton should play in sync, without the start message from ableton for the arp in the MH…
Not so long ago, I had a north lead 4 in which there was a arp and I was just recording midi messages in a real time inside the ableton and playing them like they are, without a synchronized start
3 audio examples.
Every time Ableton starts playing I have a different arp. It’s not a song position problem, the starting point is always the same - the beginning of the track